The Black Paintings, Australian Hotel, Ballina, 6/1/12

January 12, 2012

For those thinking, you don’t need to drive 10 hours to watch a band in order to write a story, well, sure. You can instead then drive just 2 hours and do it. Though it turns out, you don’t need the gig either. On this particular day almost a year out from the floods, after an afternoon’s elaborate set up and encostuming, the skies opened up and drowned the stage. Not even the phantom band picked up pick, bow or stick. This left me plenty of time to question what I am doing in less obsessive circumstances: seeking situational perceptions; broadening and refining technique; exploring the interplay of sensory and artistic modalities. Our night above the pub amid heavy storms and paint leavings was as fruitful as any performance. By the end, I had two scenes, and had fixated on synesthesic transcendentalism and the primordiality of blackness as themes.


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